Listen to Killing In The Name on the English music album Rock Night Vol 2 by Rock Riot, only on JioSaavn. Play online or download to listen offline free - in HD audio, only on JioSaavn. Audio. "I Don't Like Mondays" on YouTube. " I Don't Like Mondays " is a song by Irish new wave group the Boomtown Rats about the Cleveland Elementary School shooting in San Diego. It was released in 1979 as the lead single from their third album, The Fine Art of Surfacing. The song was a number-one single in the UK Singles Chart for four weeks "Killing in the Name" was the first single released by rap metal band Rage Against the Machine from their self-titled album, and is arguably the band's signature song. On 2 Novemeber 1992, it was reissued together with one previously unreleased track, "Darkness of Greed" the track "Clear the Lane" originally released on a white only pressing at the time of first release on the b-side to Rage Against The Machine guitarist Tom Morello has praised Portland protestors for chanting lyrics to the band’s Killing In The Name. In a post on Twitter, he retweeted a video showing portland protesters chanting the timeless line “fuck you I won’t do what you tell me” at federal officers. While the line is one of the song’s most Phish performed “Killing in the Name” in the midst of the “ Harpua ” narration at their 7/4/10 show at the Encore in Alpharetta, GA. Jimmy was apparently blasting the song when Poster Nutbag slipped out the door to meet with another of his “ you killed Kenny! ” demises within the slobber drooling jowls of the spastic dead-eyed hound. Yeah, c'mon [Outro] Fuck you, I won't do what you tell me Fuck you, I won't do what you tell me Fuck you, I won't do what you tell me Fuck you, I won't do what you tell me Mother fucker! Bang bang An adorable video of a three-year-old girl in Asia singing "Killing In The Name" by Rage Against The Machine caught the attention of Tom Morello. Killing in the Name song from The Train Kept A Rollin'30 Years Of Rock free mp3 download online on Gaana.com. Listen offline to Killing in the Name song by Rage Against The Machine. Rage Against the Machine have teamed up with The Ummah Chroma (an international artists' collective meaning 'community of colour') for a new 15-minute documentary, Killing In Thy Name. Kompozícia „Killing in the Name“ je označovaná ako "strhujúci príval nadávok proti chorobám americkej spoločnosti." Skladba sa skladá z 6-krát opakovanej linky textu, ktoré spájajú policajnú brutalitu s rasizmom a predchádzajú do refrénu, "Some of those that work forces, are the same that burn crosses," čo je narážka na pálenie krížov organizáciou Kukluxklan. Yctu. Killing In The Name Killing in the name ofSome of those that work forcesAre the same that burn crossesSome of those that work forcesAre the same that burn crossesSome of those that work forcesAre the same that burn crossesSome of those that work forcesAre the same that burn crossesHuh!Killing in the name ofKilling in the name ofAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaBut now you do what they told yaWell now you do what they told yaThose who died are justifiedFor wearing the badge, they're the chosen whitesYou justify those that diedBy wearing the badge, they control your lifeThose who died are justifiedFor wearing the badge, they're the chosen whitesYou justify those that diedBy wearing the badge, they control your lifeSome of those that work forcesAre the same that burn crossesSome of those that work forcesAre the same that burn crossesSome of those that work forcesAre the same that burn crossesSome of those that work forcesAre the same that burn crossesHuh!Killing in the name ofKilling in the name ofAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told yaAnd now you do what they told ya(Now you're under control)And now you do what they told ya(Now you're under control)And now you do what they told ya(Now you're under control)And now you do what they told ya(Now you're under control)And now you do what they told ya(Now you're under control)And now you do what they told ya(Now you're under control)And now you do what they told ya(Now you're under control)And now you do what they told yaThose who died are justifiedFor wearing the badge, they're the chosen whitesYou justify those that diedBy wearing the badge, they control your lifeThose who died are justifiedFor wearing the badge, they're the chosen whitesYou justify those that diedBy wearing the badge, they control your lifeCome onHuh!YeahCome onHuh!Fuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meFuck you, I won't do what you tell meMotherfuckerHuh! Matando Em Nome Matando em nome deAlguns dos que estão no poderSão os mesmos que queimam cruzesAlguns dos que estão no poderSão os mesmos que queimam cruzesAlguns dos que estão no poderSão os mesmos que queimam cruzesAlguns dos que estão no poderSão os mesmos que queimam cruzesHuh!Matando em nome deMatando em nome deE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramMas agora você faz o que te mandaramEntão agora você faz o que te mandaramAqueles que morreram estão justificadosPor usarem o distintivo, eles são os brancos escolhidosVocê justifica aqueles que morreramUsando o distintivo, eles controlam sua vidaAqueles que morreram estão justificadosPor usarem o distintivo, eles são os brancos escolhidosVocê justifica aqueles que morreramUsando o distintivo, eles controlam sua vidaAlguns dos que estão no poderSão os mesmos que queimam cruzesAlguns dos que estão no poderSão os mesmos que queimam cruzesAlguns dos que estão no poderSão os mesmos que queimam cruzesAlguns dos que estão no poderSão os mesmos que queimam cruzesHuh!Matando em nome deMatando em nome deE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaramE agora você faz o que te mandaram(Agora você está sob controle)E agora você faz o que te mandaram(Agora você está sob controle)E agora você faz o que te mandaram(Agora você está sob controle)E agora você faz o que te mandaram(Agora você está sob controle)E agora você faz o que te mandaram(Agora você está sob controle)E agora você faz o que te mandaram(Agora você está sob controle)E agora você faz o que te mandaram(Agora você está sob controle)E agora você faz o que te mandaramAqueles que morreram estão justificadosPor usarem o distintivo, eles são os brancos escolhidosVocê justifica aqueles que morreramUsando o distintivo, eles controlam sua vidaAqueles que morreram estão justificadosPor usarem o distintivo, eles são os brancos escolhidosVocê justifica aqueles que morreramUsando o distintivo, eles controlam sua vidaVamos láHuh!SimVamos láHuh!Foda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você mandaFoda-se, não vou fazer o que você me mandaFoda-se, não vou fazer o que você me mandaFoda-se, não vou fazer o que você me mandaFoda-se, não vou fazer o que você me mandaFoda-se, não vou fazer o que você me mandaFoda-se, não vou fazer o que você me mandaFoda-se, não vou fazer o que você me mandaFoda-se, não vou fazer o que você me mandaFilho da putaHuh! 1 sty 70 01:00 Ten tekst przeczytasz w 2 minuty Swego czasu Tom Morello, gitarzysta RATM, powiedział o stylu zespołu: "Zawsze dawaliśmy naszej muzyce szansę, aby rozwijała się organicznie. W naszym przypadku chodzi o kombinację różnych stylów, które brzmią niepowtarzalnie. Ostrość punk rocka, hard rock, eksperymentalne partie gitary, coś z klimatu hip-hopu. Po prostu nie boimy się mniej lub bardziej dziwnych połączeń. Jesteśmy fanami wielu rodzajów muzyki i nie baliśmy się ich połączyć". To idealna charakterystyka stylu RATM, adekwatna do poczynań zespołu. RATM jest dziwną formacją, gwiazdą z małym dorobkiem płytowym. Ale za to jakim... Równie dobrze po wydaniu debiutanckiej płyty w 1992 roku zespół mógłby zaprzestać wydawania kolejnych. Ta jedna odmieniła oblicze muzyki, zrewolucjonizowała podejście do ciężkiego grania. Stworzyła nietypowy crossover, który szybko się przyjął wśród innych zespołów. "Killing In The Name'" - utwór z tej płyty, stał się klasykiem. Płyta odniosła ogromny sukces i może dlatego zespół postanowił milczeć aż tak długo - zawsze był niepokorny i zbuntowany. Płyta "Evil Empire" pojawiła się w 1996 roku i była bardziej zwarta brzmieniowo od debiutu. Mimo równie zbuntowanych, rewolucyjnych tekstów, muzyka była trudna w odbiorze, ale sprzedała się rewelacyjnie. Sam zespół nie potrafił między sobą się porozumieć. Zespół jest wiernym odzwierciedleniem Los Ageles, w którym mieszkają jego członkowie. To, co się w nim dzieje, jest zmienne, szalone i nieodgadnione. Tak jest i z RATM, który na tej płycie traktuje swoje miasto jako miejsce bitwy, walki o przetrwanie. Kto z kim walczy i o co, dowicie się z lektury tekstów, których autorem jest Zack De La Rocha - nadal są rewolucyjne, choć dla nas, Polaków, bardzo naiwne i utopijne. No, ale Zack nie urodził się w Polsce, ani w CCCP, ani na Kubie. Ma prawo nie mieć świadomości niebezpieczeństwa, jakie niesie ze sobą rewolucja. Jednak walka w muzyce przynosi pozytywne efekty - płyta RATM jest tego świadectwem. Nie jest to łatwy materiał, przyswaja się go po kilkakrotnym przesłuchaniu. Nie jest to eksperymentalna płyta, jest to typowy RATM - na pewno starzy fani tej kapeli będą usatysfakcjonowani. Mnie jednak na tej płycie podoba się najbardziej nie kontynuacja brzmienia, ale partie gitarowe Toma Morello. Stosuje eksperymentalne motywy gitarowe, które wprowadzają niezwykłe pasaże do muzyki RATM. Tak jest w utworze "Voice of The Voiceless", w którym Morello gra niczym Robert Fripp z King Crimson. "Sleep Now In The Fire" rozpoczyna się jak numer Steve'a Ray'a Vaughana, bardzo rhytm'n'bluesowo. Ogólnie można odnieść wrażenie, że muzyka na płycie "The Battle of Los Angeles" jest nastawiona na uwypuklenie różnorodnych partii gitary. Może to niewyrobionego odbiorcę ciężkiej muzy trochę denerwować, ale wszak nie jest to płyta przeznaczona dla laików. W "Ashes In The Fall" Morello gra niezwykle psychodelicznie, niczym Jimi Hendrix, często używając "kaczki". Najbardziej melodyjnymi uworami z nowej płyty są rozpoczynający ją "Testify" i singlowy "Guerilla Radio", który zawiera proste, ale fantastyczne riffy. Ogólnie muzykę RATM zdominował duch psychodelicznego hard rocka, aż dziw bierze, że u schyłku wieku można taką inspirację pokazać w energetycznej formie. Do tego Brad Wilk gra w stylu Bonhama z Led Zeppelin. Gdyby nie rapowy śpiew, bardzo rwący, wściekły, Zacka De La Rocha można by sądzić, że to gra kolejny przedstawiciel stoner rocka. Data utworzenia: 1 stycznia 1970 01:00 To również Cię zainteresuje Masz ciekawy temat? Napisz do nas list! Chcesz, żebyśmy opisali Twoją historię albo zajęli się jakimś problemem? Masz ciekawy temat? Napisz do nas! Listy od czytelników już wielokrotnie nas zainspirowały, a na ich podstawie powstały liczne teksty. Wiele listów publikujemy w całości. Znajdziecie je tutaj. A searing protest song against police brutality, “Killing in the Name” was the lead single from Rage Against the Machine’s self-titled debut album, initially only reaching #25 on the UK charts in 1993 after being released in November 1992. It was written six months following the Rodney King beating in 1991, which resulted in the riots. 17 years later, after a Facebook campaign (in response to manufactured artists from a TV show releasing a Christmas single), the single reached #1 on the UK, #2 on the Scottish, #2 on the Irish and #4 on the European Singles Charts. In addition, the song became the Fastest-selling digital track (UK), according to Guinness World Records, with 502,672 downloads. A little dose of anarchy for the Christmas holidays is good for the soul. I love the independent spirit of the British rock fans. Your country has a great rich history of cutting-edge, exciting rebel music. Whether it’s the early Stones and The Who, or The Clash and Sex Pistols, or Prodigy and Muse, I think that people are just fed up with being represented every Christmas holiday, being spoon fed some overblown, sugary ballad that sits at the top of the charts – Tom Morello Additionally, the album cover depicts a Vietnamese Buddhist monk, self-immolating in 1963 in protest of then President Ngô Đình Diệm’s oppression of the Buddhist religion. This is fitting to the anti-establishment message of the song. Fot. B4859 / Avalon/Photoshot/East News Umówmy się - większość ich wykonów raczej nie zasługuje na oklaski, ale tym razem to przeszli samych siebie. Tak źle nie było naprawdę od dawna. Fripp i Willcox grają cover Rage Against The MachineWiemy doskonale, że powrót RATM na scenę to ogromne wydarzenie dla świata muzyki - zwłaszcza środowiska rockowego. Wiedzą to też Robert Fripp i Toyah Willcox, którzy zaprezentowali kolejną wersję swojej popularnej serii "Sunday Lunch", w której bardzo specyficznie coverują znane i lubiane kawałki, takie jak "Paranoid", czy "Born To Be Wild". Dlatego też, tym razem małżeństwo postanowiło oddać hołd Rage Against The Machine i zagrali w swojej kuchni ich najpopularniejszy utwór "Killing In The Name Of". Niestety, o ile bardziej oldschoolowe rockowe szlagiery wychodzą im jeszcze całkiem znośnie, tak RATM brzmi bardzo, ale to bardzo niedobrze. Sprawę bardzo umila na szczęście absolutnie cudowna stylówka Frippa, który dzięki tej fryzurze i nietypowym makijażu oczu wygląda jak Wielka Stopa, czy inna postać rodem z bajki Disneya. Zobaczcie wideo poniżej: Rozrywkowa para ma już na swoim koncie covery takich zespołów, jak Guns ’n’ Roses, Led Zeppelin, Black Sabbath, Iron Maiden, czy Sex Pistols. Cóż, najważniejsze w tym wszystkim jest to, że Robert i Toyah się świetnie bawią i nikogo przy tym nie krzywdzą. Kamil Kacperski Redaktor antyradia

killing in the name tekst